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And of course Markus has been working in Hollywood for a long time, as his websites show.
First as an artist, and on well-known feature films.
The mistake through this entire thread, I think, is identifying software-in-use with becoming a 'big-time' winner.
If I am not mistaken, most of those software developments available, starting with ILM itself, have been done by the use of scripting, to add features, plugins, packages. Each time to solve a critical film production problem.
It's very interesting to consider what might happen if Carrara got an equivalent scripting to expose its data structures and engines.
This would be a pretty easy step, and could bring Eric Weinmuller and many more into co-production of a very powerful package.
Just like before.
A thought anyway, and kind regards to all.
Narration
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